Marquetry (also spelled as marqueterie) is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Parquetry is very similar in technique to marquetry: in the former the pieces of veneer are of simple repeating geometric shapes, forming tiling patterns such as would cover a floor (parquet), or forming basketweave or brickwork patterns, trelliswork and the like. Marquetry (and parquetry too) differs from the more ancient craft of inlay, or intarsia, in which a solid body of one material is cut out to receive sections of another to form the surface pattern. The word derives from a Middle French word meaning "inlaid work". The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "tortoiseshell"), mother-of-pearl, pewter, brass or fine metals. Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century. Many exotic woods as well as common European varieties can be employed, from the near-white of boxwood to the near-black of ebony, with veneers that retain stains well, like sycamore, dyed to provide colors not found in nature. The simplest kind of marquetry uses only two sheets of veneer, which are temporarily glued together and cut with a fine saw, producing two contrasting panels of identical design, (in French called partie and contre-partie, "part" and "counterpart"). Marquetry as a modern craft most commonly uses knife-cut veneers. However, the knife-cutting technique usually requires a lot of time. For that reason, many marquetarians have switched to fret or scroll saw techniques. Other requirements are a pattern of some kind, some brown gummed tape (IE as the moistened glue dries it causes the tape to shrink and so the veneer pieces are pulled closer together), PVA glue and a base-board with balancing veneers on the alternate face to compensate stresses. Finishing the piece will require fine abrasive paper always backed by a

sanding block. Either ordinary varnish, special varnishes, modern polyurethane -oil or water based- good waxes and even the technique of french polish are different methods used to seal and finish the piece. Sand shading is a process used to make a picture appear to be more three-dimensional. A piece of veneer to be incorporated into a picture is partially submerged into hot sand for a few seconds. Another process is engraving fine lines into a picture and filling them with a mixture of India Ink and Shellac.In woodworking, veneer refers to thin slices of wood, usually thinner than 3 mm (1/8 inch), that typically are glued onto core panels (typically, wood, particle board or medium-density fiberboard) to produce flat panels such as doors, tops and panels for cabinets, parquet floors and parts of furniture. They are also used in marquetry. Plywood consists of three or more layers of veneer, each glued with its grain at right angles to adjacent layers for strength. Veneer beading is a thin layer of decorative edging placed around objects, such as jewelry boxes. Veneer is also used to replace decorative papers in Wood Veneer HPL. Veneer is also a type of manufactured board. Veneer is obtained either by "peeling" the trunk of a tree or by slicing large rectangular blocks of wood known as flitches. The appearance of the grain and figure in wood comes from slicing through the growth rings of a tree and depends upon the angle at which the wood is sliced. There are three main types of veneer-making equipment used commercially: A rotary lathe in which the wood is turned against a very sharp blade and peeled off in one continuous or semi-continuous roll. Rotary-cut veneer is mainly used for plywood, as the appearance is not desirable because the veneer is cut concentric to the growth rings. A slicing machine in which the flitch or piece of log is raised and lowered against the blade and slices of the log are made. This yields veneer that looks like sawn pieces of wood, cut across the growth rings; such veneer is referred to as "crown cut". A half-round lathe in which the log or piece of log can be turned and moved in such a way as to expose the most interesting parts of the grain.